Alessandro - Singing tutor - Roma
Alessandro - Singing tutor - Roma

The profile of Alessandro and their contact details have been verified by our experts

Alessandro

  • Rate 47 US$
  • Response 1h
  • Students

    Number of students Alessandro has accompanied since arriving at Superprof

    13

    Number of students Alessandro has accompanied since arriving at Superprof

Alessandro - Singing tutor - Roma
  • 5 (11 reviews)

47 US$/hr

Contact
  • Singing
  • Vocal Coaching
  • Opera Singing

Learn to sing naturally: let your voice resonate completely free and effortlessly

  • Singing
  • Vocal Coaching
  • Opera Singing

Lesson location

Recommended

Alessandro is a respected member of our tutor community. He is highly recommended for his commitment and the quality of his lessons. An excellent choice to progress with confidence.

About Alessandro

THE TEACHER
I teach opera singing at all levels, from beginners to those who already have a career in opera houses around the world.

I've been doing this for over ten years. I therefore have considerable experience in teaching vocal technique and operatic interpretation. Experience gained thanks to the numerous individual lessons held, courses and "masterclasses" in which I was a teacher, both in Italy and abroad.

I can help you find the way to sing naturally.
The concept of "natural singing" is among the first and most important principles developed by the Italian bel canto school. Through these it is possible for everyone to make their voice resonate freely, without effort: that is, it is possible for everyone to find the true nature and essence of their voice.

THE TENOR
Active as a leading tenor since 1997, I have performed, throughout my career, on numerous Italian and foreign stages. Among these, some are particularly prestigious such as the Teatro del Maggio Musicale Fiorentino in Florence, the Teatro Regio in Turin, the Opéra-Comique in Paris and the Teatro dell'Opera in Rome. I have sung several leading roles in the great operatic repertoire, such as Alfredo (La traviata), Andrea Chénier, Calaf (Turandot), Cavaradossi (Tosca), Don José (Carmen), Ismaele (Nabucco), Macduff (Macbeth), Manrico (Il Trovatore), Pinkerton (Madama Butterfly), Pollione (Norma), Radamès (Aida), Turiddu (Cavalleria rusticana).

My concert activity is also very intense: over one hundred and twenty concerts and opera recitals in the three years preceding the 2020 pandemic. Concert activity which led me to perform, among other things, at the Parco della Musica in Rome, at the Opera di Astana and the Karaganda Opera (Kazakhstan).

Over the years I have had the opportunity to collaborate with many conductors, directors and singers, some of whom are internationally renowned: Evelyne Aïello, Arman Azemoon, Walter Attanasi, Norbert Balatsch, Massimo de Bernart, Stefania Bonfadelli, Maria Luigia Borsi, Micaela Carosi , Alessandro Corbelli, Francesco Ellero d'Artegna, Claudio Desderi, Nicola Luisotti, Alberto Meoli, Paolo Miccichè, Stuart Maunder, Bruno Rigacci, Massimo Scapin.

In 2017, together with my friend, the great pianist Giovanni Velluti, I founded RomeOperaConcerts, a company through which we create, every year, with the support of a group of young talented singers and pianists, a highly successful concert season in Rome.

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About the lesson

  • Beginner
  • Intermediate
  • Advanced
  • +7
  • levels :

    Beginner

    Intermediate

    Advanced

    Others

    Child

    Beginner Level

    Elementary Level

    Intermediate Level

    Advanced Level

    Autres

  • English

All languages in which the lesson is available :

English

Much depends on the student, his age and his goals, but I always try to accommodate the nature of his voice. I advise him in the repertoire, suggesting the most appropriate roles and, if necessary, I also help him in reading the music.

WE CREATE THE CONDITIONS TO LET OUR VOICE WORK

The concept of "natural singing" is one of the first principles developed by the Italian bel canto school.

Obviously by it we do not mean singing by relying on chance, but we mean a subtle and almost invisible control of the voice, made possible by the discovery of those hidden natural "servomechanisms", which make it resonate freely without effort, thanks to a dynamic agreement between deep natural breathing and pure sound tuning.

Bel canto, that is, the only form of singing with completely free resonance, does not consist of a series of localized voluntary muscular controls, but rather of an automatic acoustic tuning: it is not "making the voice work", but "letting the voice work". voice", based on passive and indirect self-control, and not on active control, which in itself stiffens the body and therefore limits the potential of the voice itself.

Naturalness, therefore the indirect control of vocal emission, is the backbone at the center of my teachings, as it has always been in the Italian bel canto school.

Some initially smile, stating, "If singing opera were natural, then everyone would be singing right away." They ignore that there is not only nature as a starting point, but also nature as a point of arrival, that is, as something to discover.

The best possible vocal technique is in fact the one that does not interfere with natural automatisms and therefore does not replace them with crude actions such as direct and voluntary mechanical muscular control. This is a skill that must be acquired.

The sigh of relief, the expressive intention, the use of pure vowels, vocalizations as a natural factor in voice development are some of the elements for learning to sing in a natural way.

Lessons last an hour and are in Italian. However, I understand Spanish very well and speak it a little.

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Rates

Rate

  • 47 US$

Pack prices

  • 5h: 211 US$
  • 10h: 375 US$

online

  • US$47/h

Travel

  • + 40 US$

Details

Advance payment is required to access package discounts. Group lessons for up to 4 students provide for a reduction in the cost per person to be agreed with the teacher.

Alessandro's Video

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