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Matt Gibson as Buzz Collins plays his spoiler role with appropriate wicked relish.

One of the biggest scene stealers in this show is Matt Gibson… His strong baritone voice fills the auditorium with its power and the final falsetto notes will send chills up your back.

Matt Gibson steps into the Danny Kaye role of Phil with ease. His dancing is impeccable, and his Danny Kaye-esqe smirk is full of charisma and magnetism.

It was Matt Gibson – a swing in the most recent Broadway revival – who showed us what the dance could look like with his virtuoso turn as Tulsa, singing and dancing 'All I Need is the Girl.'

If I had to pick out the all-around standout, it would be Annie's romantic opposite, Will Parker as acted, sung and danced by Matt Gibson.

Lanky Matt Gibson is persuasive as the bigoted, bullying fire chief, Willie Conklin, an immigrant from Ireland who needs someone to look down on.

This fateful date has been arranged between an attractive advertising exec, Waverly, and a tentative and bookish bookstore manager, Andrew (the excellent Matt Gibson)..

The four leads are solid musically and dramatically--particularly Gibson's classy, honey-smooth voice, so well-suited to Berlin's standards.

Matt Gibson is a fluent actor who lends warmth and grace to the role of Bob Cratchit.

Matt Gibson is wonderful as Joe Hardy. The moment he steps out... there’s a sense of magic to the show. He’s a young man, but he plays the older soul perfectly, allowing for some very touching and very believable moments.

As Cornelius Hackl, Matt Gibson delivers a performance of disarming charm, credible purity and sweetness. Gibson manages to inhabit the role with a naturalness that melts the heart. And his deft handling of the comedy - both physical and verbal - is consistently convincing.

Matt Gibson’s Jimmy is flawless; his character has character, with personality and charm in every note and every step. For all that, Gibson is an ensemble player, working beautifully with all the others- a true natural talent.